Glasgow’s Burrell Collection, after undergoing an extensive £68.25 million refurbishment, has been named the winner of the prestigious Andrew Doolan Best Building in Scotland Award. This annual award, given by the Royal Incorporation of Architects in Scotland (RIAS), recognizes outstanding architectural achievements. The renovation, known as the Burrell Renaissance, was carried out by the firm John McAslan + Partners and has been hailed as a remarkable transformation.
A Revitalization of an Iconic Museum
The Burrell Collection, which houses the vast art collection of shipping magnate Sir William Burrell, opened in 1983. It has always been a standout example of modern architecture set in the tranquil Pollok Country Park, on the outskirts of Glasgow. However, after decades of weather-related damage, especially from leaks caused by the flat roof, the museum faced the challenge of revitalizing the space while preserving its architectural integrity.
The refurbishment project aimed to make the museum more engaging and accessible, enhancing the visitor experience without compromising the original design, which had been conceived by architects John Meunier, Brit Andresen, and Barry Gasson. Despite concerns from Meunier about the changes, the project was widely praised for blending old and new elements, creating a familiar yet improved atmosphere.
The Architects’ Approach
John McAslan, lead architect for the Burrell Renaissance, spoke about the delicate balance between respecting the original building and addressing necessary repairs. The architects focused on ensuring the structure’s functionality, improving air-tightness, and repairing leaks. At the same time, they introduced elements to make the space more engaging, such as a new central staircase that connects the basement with the upper galleries. McAslan emphasized that the project was about “modest interventions” that enhanced the building without overshadowing its original character.
One of the most significant changes was the creation of a more navigable space that makes the collection more accessible, particularly for younger visitors. The gallery spaces were redesigned to make them more inviting, and the museum’s layout was adjusted to improve flow, making it easier for guests to experience the full breadth of Burrell’s collection.
Overcoming Challenges
The renovation of the Burrell Collection faced significant challenges, not least the timing of the project. Initially slated to reopen in 2020, the museum’s completion was delayed by the COVID-19 pandemic. Despite these setbacks, the project was finished on time and within budget, thanks to the dedication of the contractors who worked through the restrictions. The project was a collective effort, with input from 15,000 local community members and support from several key figures, including former Glasgow Life CEO Bridget McConnell.
The reopening of the Burrell Collection in 2022 was marked by King Charles’s visit, where he inspected the exhibits in the newly revamped space. The museum’s reopening attracted significant attention, with many visitors impressed by the enhanced visitor experience and the preservation of the building’s original charm.
Public Reception and Criticism
Although the revamped Burrell Collection has largely received positive reviews, some critics, including John Meunier, one of the original architects, were not entirely impressed by the changes. Meunier expressed concerns about the addition of new entrances and some of the design modifications, which he compared to those found in a “modern comprehensive school.” However, the public response has been overwhelmingly positive, with an increase in visitor numbers and greater engagement with the collection.
John McAslan noted that one of the most successful aspects of the renovation was its ability to make the building feel familiar yet more accessible. Visitors have appreciated the improvements, finding the space easier to navigate and more engaging for a wider audience.
A Model for Future Projects
John McAslan, who accepted the Andrew Doolan Best Building in Scotland award on behalf of his firm, stressed the importance of repurposing existing buildings. He believes that rather than demolishing old structures, they should be given new life, particularly in the case of culturally significant buildings like the Burrell Collection. McAslan is passionate about the concept of adaptive reuse and cited his restoration of Dunoon Burgh Hall as another example of how communities can come together to restore derelict buildings.
Looking forward, McAslan hopes that the success of the Burrell Renaissance will inspire further efforts to breathe new life into other historic buildings across Scotland and beyond, particularly in terms of creating spaces that serve the community while respecting their historical significance.
